Clara Osowski, Mezzo-Soprano

Mezzo-soprano Clara Osowski, who sings "from inside the music with unaffected purity and sincerity" (UK Telegraph), is an active soloist and chamber musician hailed for her "rich and radiant voice" (UrbanDial Milwaukee). She was a Metropolitan Opera National Council Upper-Midwest Regional Finalist, the winner of several competitions including Bel Canto Chorus Regional Artists Competition of Milwaukee, the Houston Saengerbund Competition, several time runner-up in The Schubert Club Bruce P. Carlson Scholarship Competition, and third place in the Madison Handel Aria Competition. Recognized for her excellence in Minnesota, Clara was a recipient of the prestigious 2018-2019 McKnight Artist Fellowships for Musicians administered by MacPhail Center for Music.

Orchestral performance highlights include her soloist debuts of Bach's St. Matthew Passion with the Bel Canto Chorus of Milwaukee, B Minor Mass with the Back Bay Chorale of Boston, Christmas Oratorio with Bach Society of Minnesota, Mozart’s Requiem with Milwaukee Symphony Orchestra, Mahler's Symphony No. 2 with Tulsa Signature Symphony, Bernstein’s Jeremiah with Mid-Columbia Symphony, and Dominick Argento's orchestral song cycles Casa Guidi and A few words about Chekhov with the Metropolitan Symphony Orchestra of Minneapolis.

Active also as an educator, Clara has enjoyed giving masterclasses and convocations at several universities, including Syracuse University, Muhlenberg College, Seattle University, Concordia College (Moorhead), and North Dakota State University. She was also the guest artist in residence at Indiana State University's 50th Contemporary Music Festival celebrating the music of Libby Larsen. Clara also served on the faculty at the Aspen Music Festival's Professional Choral Institute in partnership with Seraphic Fire, and has been a panelist for SongFest and the Lakes Area Music Festival.

Matthias Maute, Recorder

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Two-time JUNO Award winning conductor, composer, recorder, and flute soloist Matthias Maute has achieved an international reputation. In 2016 he was named artistic director of the Bach Society of Minnesota and in 2019 of the professional choir Ensemble vocal Arts-Québec. The New York Times described the orchestra he conducts in Montreal, Ensemble Caprice, as “an ensemble that encourages the listener to rehear the world.” Maute’s recording of Bach’s Brandenburg Concertos juxtaposed with his own arrangements of Preludes from Shostakovich's Op. 87 was hailed by The New Yorker as standing out “for its fleet, characterful approach” and “its fresh, vibrant colors”. Maute’s compositions are published by Breitkopf & Härtel, Amadeus, Moeck and Carus. He has made some twenty recordings on the Analekta, Vanguard Classics, Bella Musica, Dorian, Bridge and ATMA Classique labels.

Margaret Humphrey, Violin

Violinist Margaret Humphrey maintains a vibrant freelance schedule as soloist, chamber musician, and orchestra member, performing in ensembles in the US and Europe. Previously a 25-year core member of the Minnesota Opera Orchestra, she now performs regularly with the Lyra Baroque Orchestra, Consortium Carissimi, Tempesta di Mare, and as concertmaster of the Bach Society of MN. A founding member of Belladonna Baroque quartet, she has toured throughout the US, Europe and Brazil. Cerulean Fire, her most recent ensemble, collaborates with dancers and percussionists crossing over genres to create dynamic performance experiences. Ms. Humphrey is also a member of the Kingsbury Ensemble in St. Louis and a soloist in the annual Ancient Music Series in St. Savin France. She has recorded on the Chondos, Dorian, Ten Thousand Lakes, and Naxos labels.